But the overall feel is the same and I am very pleased with the result.
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Try Cloud Sketch for free to share anything with anyone. I added more of the red/brown and toned down the purple, which may have been overpowering in a larger version. What is Airsketch A streamlined interface, support for recording videos, fast sharing, and nothing to configure. The treatment of the rocks in the studio painting shows more faces and cracks to keep the eye engaged. But the larger painting needed some more areas of interest. As always I had taken photos while there, so was able to add more rocks on the left and right. In this case, my canvas is a different format from the sketch, so I needed to incorporate more of the scene. I still wanted a loose, abstracted look but one quick stoke with the the brush would not cover a large section of rock, even though I was now using much larger brushes.
The simple, fast brushstrokes can’t be replicated in a large painting. The simplicity of a small sketch does not always translate well when enlarged.
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Then I have to consider how to make this scene work on a larger canvas. This includes a look at the colours, values and composition. First I need to evaluate what worked in the sketch and what changes are needed to make a better painting. When working up a sketch into a large painting there are always adjustments to make. But once I set aside the time, I couldn’t wait! It took a while before I got around to the studio painting. I selected one pine for my centre of focus and changed the colours throughout to convey my emotional response at the time. I was aiming to simplify the scene in order to feature the massive rock structure. The rock structure was covered in evergreen trees but these were left out. I needed to capture the scene and my feeling of awe before the light changed. My sketch was completed in about 45 minutes. But there was no suitable place to set up our easels except for a steep and uneven cliff, which we scrambled up and each found a tiny ledge to paint from. As we came around the bend I saw the early morning sunlight catching these powerful rock shapes. We were travelling on the lake by boat, looking for a good scene to paint. I was with a group of painters, led by renowned artist Don Cavin. The first step was the 16×20 plein air sketch below, done at La Cloche, near Killarney, while perched precariously on a rock face across the bay. This newly completed painting “Killarney Rocks II” 30×48, has been selected for the 2017 calendar “A Celebration of Canadian Art”
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